This is one of two attempts I made to turn the text of a curious 1960s children’s book into a cartoon. Stay tuned…
format: DV video
software: Director, AfterEffects
Los Angeles, 2002.
I love this little opener I created for the Pittsburgh public-access show Art of News. The jack-in-the-box was puppeteered with wire rods that I painted out in Commotion, which worked out so well I’ve been looking for an excuse to do it again ever since.
format: DV video
software: Commotion, Premiere, Audition, Acid
Pittsburgh, 2001.
This was my first, never-finished stab at 3D animation; I’ve got something a bit more modern coming up soon. In the meantime, while visually this thing wouldn’t pass muster as a turn-of-the-century game cutscene, I do like how the music turned out.
format: DV video
software: Maya
Pittsburgh, 1999.
Available on: youtube.com | archive.org
“Remember, you never need to solve the problem right now.” Apparently, no problem could possibly arise that this handy video self-help pamphlet is unprepared to deal with.
This short, a dance for camera, was created at the Point Park Conservatory in Pittsburgh, choreographed by Doug Bentz.
format: DV video
software: AfterEffects, Final Cut, Audition
Pittsburgh, 2002.
Available on: youtube.com | archive.org
What if you’re offered only two options, and neither of them are any good? The poor creature in this short can’t hope to understand that it’s trapped inside a completely arbitrary system.
format: DV video
software: AfterEffects, FrameThief, Premiere, DVD Studio
Pittsburgh, 2001.
Available on: youtube.com | archive.org
>> #1 in a series of 6
At the start of the Afghan War, I heard the title’s classic Cold-War motto resurrected by Texas Congressman Dick Armey. Oddly enough, it made me think of the Lewis Carroll poem “The Voice of the Lobster,” in which the Panther and the Owl sit down to negotiate an agreement. The story just seems to have a timely ring about it.
format: DV video
software: Commotion, AfterEffects, Painter, Premiere, Audition
Pittsburgh, 2002.